Temporary department
Disarming Design
Disarming Design is a temporary master’s programme committed to cooking, making, weaving, screening, giving, talking, playing, mapping, workshopping, sensing, celebrating, reclaiming, documenting, forming, witnessing, juxtaposing, tripping, translating, transposing, sculpting, publishing, and unfolding.
”Disarming” positions design as a cultural tool to oppose authority and create knowledge with affection, desire, and imagination. The curriculum aims to question, challenge, and locate the emancipatory potential of design and other organizational art forms. We uphold artistic practices that deal with conditions of anti-coloniality, activism, and entangled histories, and operate at the intersection of crafts, language, architecture, community, politics, and translation.
The programme focuses on the artistic work of the participants—helping them find their own methods, language, and tools—in addition to participative projects brought in by the team and institution. It is set up as a studio-space-led programme where students receive feedback from peers and tutors on their research, projects, and practices. The curriculum has an open structure and forms its final shape in response to the students’ different initiatives, collaborations, and developments.
The first year generated a cross-pollination of ideas and initiatives, alongside a questioning of the conditions in which the work and programme existed. Attention was on wayfinding, experimenting with new platforms, synchronizing languages, and responding to changing and challenging conditions. We moved as a department to an external self-ran location. Students campaigned for Palestinian rights and wrote an open letter to the board asking for a public statement to speak out against violence and oppression, and condemn all actions that violate human rights.
The second year started with an exhibition Disclosing Discomforts, that sketched research through action, participation, performance, and installation. The research further deepened through and in the essay that each student wrote. All together, this lead to the development of experimental practices that seek to imagine and enact ways of being together otherwise.
More information:


Introduction week Belgium countryside

Maqluba by Saja Amro and Karmel Sabri

Zooming in on food


Off-set printing workshop Diasbura Journal#1, by Farah Fayyad & Ott Metusala, with Joos Mooi

Kitchen of Disarming Design

Feedback Feast


Kite workshop in collaboration with Studio for Immediate spaces, by PING & Hazem Alqaddi
Archive

Nobody Expected There Would Be Much Discussion About It (Window Display)
Ott Metusala

Nobody Expected There Would Be Much Discussion About It (Publication)
Ott Metusala

Articulated Models
Ott Metusala

Self-Governing the Art Academie: a case study on the Gerrit Rietveld Academie and Sandberg Instituut
Naira Nigrelli
ANZEIGE
Naira Nigrelli
ANZEIGE
Naira Nigrelli

Tracing threads of collectivity
Samira Vogel

Mashaq - مَشَقَ
Mohamed Gaber
Open-Source Memory - Chapter 2 // Gateway to the North
Sarah Saleh
Open-Source Memory - Chapter 1 // Mort Aux Vaches
Sarah Saleh

Palestine-Family.net
Jara van Teeffelen

The Advocacy Game
Jara van Teeffelen

Sumud Stories
Jara van Teeffelen

how to cross a wall
Jara van Teeffelen

Dear Gaza Block Party
Karmel Sabri

Programing at The Walker
Karmel Sabri

The question of Palestine
Karmel Sabri

Soundscape
Saja Amro

Cymatics
Saja Amro

woven stories
Samira Vogel




