A L is a two year temporary master programme for experiments and projects with language in the context of visual art. Texts are assembled, written, rewritten, read, read out, performed, printed, published or can serve as the basis for projects in for example poetry, sculpture, soundpieces, (graphic) design or film.

A L asks what forms language can take in art and literature and where these can be situated. Even though most artists see writing as a natural part of their practise, it is not clear where their texts end up. They often seem to fall in between exhibition and publication material. What other options can be created? How to exhibit an essay? How to install a poem?

A L investigates language as malleable matter that shapes and determines ways of thinking, ruling our everyday life, from the personal to intricate socio-political and ethical structures.

Is there a language for existing in between languages, silences, realities, bodies? Can language be physical matter, to an extent that it becomes solid or fluid matter?

A lot of questions remain on how language mechanisms influence what we see, and what we think we understand; how we can even begin with thinking we can express ourselves.

As part of the programme, in the final year, A L hosts the lecture series Who’s There *, investigating the role of the first person in visual art, literature and life. Invited speakers give workshops based on their insights and questions.